Thursday, November 30, 2006

Express

All I remembered clearly was the afternoon express,
the steam in a clean fireplace, and the clock
above the mantle, ticking like a star.

I.

Sometimes we tell ourselves
stories about how things ought to be,
the stuff of dreams and longing,
haunting works of art or poetry,
a starless desert of the heart at 3:00 am.

And so we fill the joyless void
with whiskey or astronomy,
or strange lovers we found somewhere
on our journey, yet the storyteller in us
knows the truth, whispering her parables
in dreams. We can refuse to wake
and listen, still sometimes something
in us knows where we belong and the express
stops right at our doorstep.

II.

The dream went away three nights ago
but I woke to a rusted lampshade,
swinging above my berth—

the bed turned away,
a turnstile creaks near my window
and I rise. The express is due.

The track whistles under the wind,
delivers dusk in Oklahoma
like a train. The earth turns away.
I remember Grandmother's voice
reading from Exodus and the Psalms,
images of bones and blood–
swept through an open window,
a chinook wind blasting
out of Hell's Half Acre.
An Indian child swings
a rattlesnake skin
like a whip. Crying to the wind,

I am Cochise. I am Geronimo!
A great shaman to raise the dead
heroes. On the horizon the dust

drifts upward, rolling like a wave towards me.
The whistle goes, stunning my senses,
whooping down the wind.

The telegraph is down
in the foreground,
waiting for Indian attack.

A brave hurls his prayer stick
to the moon. Tobacco in his pouch
smells like honey in the October air.

I board with only a cigarette.

III.

The six o'clock from Long Arm
to Tulsa falls through a desert storm.
Lightning fuses arrowhead to steel,
element to element, earth to air–
the night and its passengers tossed about
by an Oklahoma hurricane of dust and fire.

Conversation in a movement of pistons,
the crew has a meal

and one more stop
before they find girls
in steady bedrooms.
Outside of Kiowa,
they found a tomahawk
buried in the axle. The conductor
spit tobacco on the hand
of a wooden Indian.

A half hour out of Tulsa:

The moon explodes
above the watch fires. I listen
for an ambush party.

In the west a star falls
to pieces for an encore.

2 comments:

Steve said...

How would this stanza sound if you ended it at the word belong? I know you need a transition here to part II, but adding the last line and a half about the express seems like too much.

still sometimes something
in us knows where we belong and the express
stops right at our doorstep.

I keep getting stuck on the word “foreground” here, but I honestly can’t think of another word and leaving it out doesn’t sound right either.

The telegraph is down
in the foreground,
waiting for Indian attack.

The intensity of pat III is really good. “Tossed about” is mentioned once, but the whole part possesses that feeling. Very good.


- Steve

P.B. said...

Hiya, Steve. I really did mean to get back to you about your comment on this one. I have no idea why I didn't. Your insights about this one were very interesting to me but I think you were led astray because you didn't know what I was describing really or what the inspiration was for this. NOT YOUR FAULT! My fault entirely. Obviously I did not make it plain or maybe I thought I didn't need to but your comments make it clear that I was wrong.

FYI The epigram for this is describing "Time Transfixed" which is a painting by Rene Magritte. The poem itself is a mish mash of various surrealist paintings. All in all very helpful comments. I know where I've gone astray with it now. I just need to figure out how I can fix it without wrecking it. :)

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